[Advaita-l] मदालसायाः आलोलिका (स्वापिका) (The Lullaby of Queen Madalasa)
kuntimaddi sadananda
kuntimaddisada at yahoo.com
Wed Mar 2 19:38:22 CST 2016
Sreeramji - My PraNams
Beautiful. With your permission I would like post in facebook.
Just curious - is this episode from Yoga vaashiShta? There there is a story that the queen later initiates her husband. We have husband teaching wife as in Maitreyee brahmana. Here it is the other way.
Hari Om!
Sada
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On Wed, 3/2/16, Venkata sriram P via Advaita-l <advaita-l at lists.advaita-vedanta.org> wrote:
Subject: [Advaita-l] मदालसायाः आलोलिका (स्वापिका) (The Lullaby of Queen Madalasa)
To: advaita-l at lists.advaita-vedanta.org
Date: Wednesday, March 2, 2016, 2:01 PM
नमस्ते,
In ब्रह्माण्डपुराणं, there
is a beautiful episode called “
मदालसोपाख्यानम्”
(the Madalasa Upakhyana) that details how a King named
कुवलयाश्व (ऋतध्वजः)
[ KuvalayAswa (also Ritadhwaja)] married a great
ब्रह्मवादिनी
who was also the queen by name मदालसा
(Madalasa).
The king demonstrates great prowess in order to marry and
finally gets the hand of the great queen Madalasa. The
couple,
in due course of time give birth to 4 sons namely (1)
Vikranta (विक्रान्त)
(2) Subahu (सुबाहु) (3) Shatrumardana
(शत्रुमर्दन) (4) Alarka
(अलर्क),
respectively.
When the first 3 sons were born, the names for them were
selected and fixed by King himself. The King chose the
names very selectively by considering the meanings and
assigning those attributes to his sons. For instance, the
name
“Vikranta” meant “One who posses great valour and
courage;
“Subahu” meant “One who posses powerful and beautiful
hands
and shoulders; “Shatrumardana” meant “One who conquers
his enemies”.
When King used to select the names, the Queen Madalasa
used to laugh at the King’s choosy naming method.
Thus, when
4th son was born, the King asked Madalasa to select a good
name for her son as every time she was laughing at his
selection of names.
Thus, she named her 4th Son as “ALARKA”
(अलर्क) and chanted the
benedictory verse “चिरं जीवतु
धर्मात्मा”” (Long Live by observing
righteousness).
The King was aghast at this name of his 4th son because the
meaning of the
name “Alarka” meant “Mad Dog”. He was dismayed at
the naming of
his beloved 4th son because the names of his first 3 three
sons
were very beautiful and meaningful.
Meanwhile, at the birth of their every son (first three of
them),
Queen Madalasa used to put them (Vikranta, Subahu,
Shatrumardana)
in cradle and used to sing a Lullaby when they cried.
While rocking the cradle,
the Queen Madalasa used to sing a Lullaby that was pregnant
with
“vedantic teaching”. Right from the infancy, she
induced “Atma Jnana” in
the form of the Lullaby. Thus, all the three sons
became self-realized
with the power of their mother’s Lullaby and lost interest
in ruling the kingdom.
Thus, all three retired to forest for performing tapas.
The Lullaby Song of Queen Madalasa, thus came to be known as
“మదాలస జోలపాట” in Telugu.
Thus, it can be concluded that the parents,
especially, the mother can influence her child directly. The
episode of
Queen Madalasa stands testimony to the fact that “Mother
is the First Teacher”
at home and every mother should strive to become one like
Queen Madalasa
who had sown the seeds of spiritual knowledge to their
children right from
infancy itself in the form of Lullaby every night.
For the benefit of the readers, I am presenting that Lullaby
in
the form of 8 slokas.
//////////////////////////////////////////////
शुद्धोऽसि रे बाल न
तेऽस्ति नाम कृतं हि वै
तत कल्पनयाधुनैव ।
पञ्चात्मकं देहमिदं न
तेऽस्ति त्वं वास्य रे
रोदिषि कस्य हेतोः ॥ (१)
O Child ! For what reason you are crying? Don’t cry.
Thou Art ever Pure and
Eternal, devoid of Names and Forms. You are the form of
Bliss,
untouched by Sorrow. You have superimposed the sorrow
upon yourself
and owing to ignorance, are wailing. The
sorrow arose owing to the
false identity with body and hence experiencing sorrow which
is
the cause of your cry. Since, Thou Art Existence,
Knowledge, Bliss
Absolute and not the body consisting of 5 elements,
where is the point in crying. All these names and
forms are ephemeral
and are imaginary. . So, don’t cry.
न वै भवान रोदिति
विश्वजन्मा
शब्दोऽयमासाद्य
महीसमूहम ।
विकल्प्यमानो
विविधैर्गुणार्थैः
गुणाश्च भूताः
सकलेन्द्रियेषु ॥ (२)
Don’t Cry ! Thou Art Ishwara – the Creator and Lord of
the Universe.
As the creation is a “vikalpa” born out of ignorance,
where is the point in wailing and crying? Hence,
don’t cry.
भूतानि भूतोपरि
दुर्बलानि वृद्धिं
समायान्ति तथेह पुंसाम
।
अन्नाम्बुदानादिभिरेककस्य
न तेऽस्ति वृद्धिर्न च
तेऽस्ति हानिः ॥ (३)
Just as the gross elements with combination among
themselves,
is subjected to increase (वृद्धि) and decrease
(क्षय),
similarly, this body, made of gross elements, too, is
subjected to change and decay. The Inner Self (Atman)
is
beyond these attributes, untouched. And, Thou Art
That.
Hence, don’t cry.
त्वं कञ्चुके सज्यमानो
निजेस्मिन्नस्मिंश्च
देहे मूढतां न व्रजेथाः
।
शुभाशुभैः
कर्मभिर्देहमेनं
मदाभिमूढैः
कञ्चुकेऽस्मिन्पिनद्धः
॥ (४)
Thou, having worn this armor called “body”, becoming
deluded,
are identifying with it. Thou Art the Witness but out
of ignorance
and under the influence of “I-ness” and “My-ness”
are
trapped in the meshes of samsAra.
Hence, don’t cry.
तातेति
किञ्चित्तनयेति
किञ्चित अम्बेति
किञ्चिदपितेति
किञ्चित ।
तवेति किञ्चिन्न ममेति
किञ्चिद्भौतेषु सर्वं
मुहुरालयेथाः ॥ (५)
By getting entangled in the mesh of Ignorance called
samsAra,
this “body” is identified sometimes with father,
sometimes with son,
sometimes with mother, sometimes with brother, sometimes as
a
relative, as a friend as a foe etc. in several births down
the line.
All these are due to false identity of attachment with the
body owing to Ignorance. This ignorance is due to
non-awareness
of the identity with the Supreme Innermost Self which is of
the form of Bliss.
दुःखञ्च दुःखोपशमं
शमाय भोगाय जानाति
विमूढचेताः ।
तान्येव दुःखानि पुनः
सुखानि जानाति
विद्वानविमूढचेताः ॥
(६)
In order to do away with sorrows, the ignorant fool runs
after
momentary pleasures. The intelligent, having endowed
with
power of discrimination, would strive to do away with
both pleasures and pains. For him, just as pain is an
obstruction,
so as the pleasure. Such a person is called
“vidvAn”.
Thou Art That. Hence, don’t cry.
सहोत्थितं
दर्शनमक्षियुग्मं
अत्युज्ज्वलं
तत्कलुषं वसायाः ।
कुचोऽति पीनं पिशितं
घनं तत्स्थानं ततः
किन्नरकं न योषित ॥ (७)
Upon careful observation of the anatomy of a woman, one
comes
to the conclusion that it is made up of flesh. Not
knowing this,
the deluded men run after them and thus, thus, end up in
getting entangled in pain and cycle of birth and
death.
यानं क्षितौ यानगतं च
देहं देहेऽपिचान्यः
पुरुषो निविष्टः ।
ममत्वमथ्याॅन्न तथा
यथा स्वे
देहेऽतिमात्रं च न
मूढतैषा ॥ (८)
On this earth, take birth several bodies endowed
upAdhis.
These are subjected to change (called yAna) (यान).
But, there is a
Supreme Self called “Purusha” who is seated inside the
body
who is Eternal and Witness. Thou Art That, O
Child! Don’t identify
yourself with the yAna but Thou Art that Supreme
Purusha.
Hence, don’t cry.
Note: समानेप्यभिमानविषये
देहे एव दृढं अभिमानं
कुर्वन्नति मूढ इत्याह
यानं इति
(ie., the Jiva abhimana is called yAna)
/////////////////////////////////////////////////////
Thus, everyday, the Queen Madalasa used to sing the above
Lullaby.
In no time, her first 3 children namely (1) Vikranta
(विक्रान्त) (2) Subahu
(सुबाहु)
(3) Shatrumardana (शत्रुमर्दन) got
vairAgya, left the kingdom and
went to forest for performing severe penance.
Hence, the King Kuvalayaswa got annoyed and tell his
queen not make the 4th son Alarka (अलर्क) a
virakta.
Accordingly, Alarka was initiated into pravrutti-mArga by
his mother madAlasa.
Later, with the grace of jagatguru dattAtrEya, the 4th one
also gets the
brahma-jnAna.
Dedicating this mail to all those glorious mothers.
सस्नेहम्
श्रीराम
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